They say that Theater is an Actors’ medium; Film is the Directors’ medium and Television is the Writers’ medium

That’s what “they” say. They’re probably right. When we compare movies and/or discuss films, we tend to find a coherence in the vision of the Director, the most. Take in case, you know you are watching a Martin Scorsese film if it has techy cinematography, focus on characters’ redemption, sleek editing (thanks to Thelma Schoonmaker) and some ultra-violence shits. Throw a DeNiro or DiCaprio and bam…you got multiple Oscar nominated crime-drama, as expected from most of Marty’s work. Same with many film Directors who imprint their own trademarks on a film’s inner meaning and symbolism. Therefore a movie, generally in it’s opening credits is tipped as “A film by _________(Diro’s name)”.

If a movie is like a ship, then it’s captain is the Film Director

An actor predominantly is known for…

March 18, 2014

by Robert Hardy, nofilmschool.com

Few jobs on set are as under-appreciated as the person (or people) operating the boom mic. Not only can it be physically strenuous over the course of a 14+ hour day, but operating a boom also takes a whole lot of technique and skill in order for production sound to be its very best. Luckily, the fine folks over at Videomaker have put together a video that demystifies the subtle art of operating a boom like a pro. Check it out.

This tutorial covers everything from how to set up, hold, and direct a boom pole to how to select the proper microphone for different acoustic environments. So sit back, put your learning hats on, and get ready for a crash course in boom operating:

The key takeaway from this video is that, just like the other technical aspects of…